sol asylum is back with their third release, this time around a various artist ep featuring tracks from friends and family members dana ruh, miss jools, and patrice meiner. this solid collection delivers a heavily swung slice of style and class without ever losing its straightforward dance floor attitude. the ep gets a proper start with dana ruhs >overcome<.a modern take on forward thinking house music with a cleverly swinging groove, pulsating filtered synths and provocatively soul stirring voices. all the rhythmical elements mold and evolve the track into a vibrant and energetic gem. next stop on our journey brings us to patrice meiners >uva< a broken beat dedication to his mother with fiery snares, atmospherically floating ghost like synths, intricately pitched hi-hat patterns and a tightly woven groove that is the signature sound weve all come to know and love from him. last but certainly not least is our trusted resident of sol asylum miss jools with >calamity cloud<. mysterious voices speak to us with an infinite realm of hovering synths, a playful but complex groove, driving hats, then a finely crafted layout brings us to alternate states between light and darkness creating a perfect balance that reminds us of a cloudy berlin day.

kareem cali, the master behind brooklyns label inmotion music, is back on amir and butchs imprint with his first proper ep.

dj gregory with his point g alias teams up with the martinez brothers for a serious raw action featuring filsonk s delirium what s the point is the result of the boys hanging out in paris including a main mix, two dubs and a raw accapella what s the point has all the tools to drop the madness. it s about beat, wired bass and repetitive vibe on a too raw for u tip. first release of ever lasting love, this new label on the block is a new platform handed by gregory for all kinds of collabs and goodies

mysterious man that is monsieur georget… fresh off the back of an admirable ep on sammy dee s cult imprint ultrastretch, he returns with a freaky francais offering for adult only shape. minimalist in its nature yet meaty in its stature, the 3-track package features glitches, scratches and vocal murmurs, varying from the effortlessly sexy >en voiture simone< and highly-addictive >viens fifine<, to the driving tribal beat of > georget au piquet<. adult only shape is the new sub-label of chris carriers adult only, the prolific imprint that has been releasing the best in quality house since 2000. adult only shape brings a more techno-orientated flavour in vinyl-only format , with eps so far from funk e and marcman.

luckyme are very proud to present the ‘rosario ep from s-type.s-types rise started in spring 2012. emerging, gleaming and show-stopping from rustie’s seminal bbc essential mix was a track called ‘billboard’ from a new producer that was part of the luckyme family as far back as his teenage years. the track had soundcloud and blog commentators looking around for the hugest most galactic superlatives for this ‘superhero’ music. as skyscraping as the biggest us hip hop instrumentals but born of the ferment of glasgow’s world-wowing club world, it made it into end of year ‘best of’ polls as well as the dj sets of rustie, tnght,and benji b. s-type aka 27 yo scot bobby perman started getting recognised down the shops glasgow. he was catapulted onto a 30 + date us tour and found himself in the studio with kindred spirits araabmuzik and baauer. there were rumours of national electronic goods adverts in south korea and s-type tracks in the running for inclusion on drakes nothing was the same album. on 19th sept 2013, the buzz started all over again as luckyme family member Éclair fifi dropped a new s-type tune ‘rosario’ on her bbc radio 1 in new djs we trust show. now luckyme can announce the wait is over. lm017 aka s-type’s ‘rosario’ ep is coming out on 16/6/2014. ‘rosario’ sets the scene with a 2 min intro called ‘outside (inside)’, featuring rustie and yc the cynic, a rapper from hunts pont, the bronx that xxl called ‘one of the most promising artists in recent years’, the complex wordplay sounding perfect over bobby’s wide screen arrangement. ‘franco’ is a fierce club banger with plenty of his signature chord work. ‘lost girls’ stunts and fizzes in the way only an s-type track can. for the outro ‘inside (outro)’, bobby’s sweeping instrumental sets the scene for long island mc (and one time flipmode squad member) roc marciano, who sharply describes the beat as ‘historic’. s-type addicts, he’s back. early dj support from hudmo, kode 9, baauer, joker, rl grime and jackmaster.

sir joe born in 1987 in america latina, as teenager he moved with his family to london, during his studies (thanks to his crazy schoolmates) he felt in love with the illegal rave party and with the new school of electronic uks music. a quick step that turned him into a music producer. sir. joe shaped his sound mixing european and american styles. old school chicanos groove and samples were restyled in the direction of the english and dutch style. lod is glad to present sir. joes debut... again five tracks of pure energy and soul mixed with few drops of acid. welcome to the house of sir. jo

the second release from dnaut is *sketches of a circuit* by craig sherrad. in the past, sherrad has worked on labels such as transmat. this ep kicks off with *we got extasy* - a solid 4/4 with stormy clouds over alien life forms. *hot pockets* is a clubby groove with fractured melodies and glassy lines. *energize* featuring riot baby, is a hip hop inspired, dusty beat with vocals. rough and sexy. *mercury electric* has bouncy beats, with a grubby bass line and layered synths. *sketches of a circuit* is a soupy bit of ambiance with sporadic gently tumbling drums, blissful chords and the slightest ripples of percussion.

die wild beasts veröffentlichen ihre zweite single aus dem aktuellen album -present tense- mit drei hochwertigen remixversionen als limitierte whitelabel 12inch. die midtempo-nummer entwickelt sich nach ruhigem beginn zu einer regelrechten hymne, die vom treibenden beat zusammengehalten wird und exemplarisch für das wohlbekannte gefühl aus zärtlichkeit, extrovertiertheit und perkussivem drive steht, das die wild beats seit jeher repräsentieren. trotzdem verpassen sie nicht die gelegenheit, sich auch auf diesem song weiterzuentwickeln. am stärksten wird dies wohl durch die parts deutlich, die zum mitsingen einladen und so -a simple beautiful truth- quasi zu einem selbstläufer bei live-performances machen. neben der albumversion des songs finden sich auf der whitelabel 12inch remixes von lone, darum und east indie youth!

played by :owen jay (battibatti/minuendo/uq), dubbyman (deep explorer music), ernie (minuendo recordings), the7notes, james ornate, monsieur cedric (serie limitee), jesus gonsev, och, brad peterson, djp, russ gabriel

the last few years have seen chicago footwork rise to international success, and traxmans debut album - *the mind of traxman* on planet mu - played no small part in that. it showcased cornelius fergusons brilliant ability to synthesise the beat digging of classic hip hop with the high-speed abstraction of footworks house-derived beat science. the selection of tracks on this second chapter show a slightly different take on traxman s abilities. instead of bringing in concepts from other genres, he simply creates a wider variety of footwork, made with a minimal, reduced palette. often just one or two samples are selected and diced into brain-blurring cubist puzzles that bear little relation to their original sources, or anything else for that matter.
the double vinyl lp comes with download code.

retrospective vol. 2 features tracks by luigi madonna, raul mezcolanza, khat, and jake childs.

for the last 20 years hes plied the dub-ways as beat pharmacy & echologist, & here hes in one of his trippiest modes to date. where there is smoke has been road tested in fred p sets for months.

keno trax sets the focus on simple and functional club tracks but without taking things too seriously. they don t use a lot of melodies here. all that matters is the beat. and there is plenty of that on the release from the two romanian producers and djs called gruuv elements

brooklyn-based producer, composer, pianist, dj and live musician taylor mcferrin is set to release his first full length lp, early riser, in june 2014 on flying lotus brainfeeder record label. taylors musical style is equally influenced by the legends of 60s/70s soul, the kings of the modern beat generation, golden era hip hop, free form jazz and electronic music. by playing all of the instruments on his productions, while also relying heavily on sampling and chopping up his live takes, he has found a sound that seamlessly bridges myriad musical worlds and draws the listener into a constantly shifting audio soundscape. the vinyl lp comes with digital download code.

two proper argentinian gentlement sharing this black beauty side by side, doing what they do best, shuffled beats, jazzy rhythms and loopy vocals printed on the surface of this groovy yet minimalistic release for rationalism family.lost decade is pure breed. a focal view of south american beats

pumpin 90s flavoured analog styled house music

anoma is proud to get things started with its maiden double sided 12-, featuring a collaboration between eccentric trooper -dr. beat- san proper and anoma records founder ohm hourani. side a : -triple x- - abstract lyrics mouthed to describe a blurry path to somewhere. accompanied by several acoustic elements, organic patterns and a healthy dose of soul. in the end, it s all about life, death & sex. side b : -she s gone- - atypical drum beat held in place by atmospheric sounds that promise to hold you tight until the wee small hours of the morning. the vocals tell a story that happened when you were not looking. this record will be enveloped by a cover sleeve that features an exquisite painting entitled -earthache- by our art director laucolo.

second release by riverette , and omg have they delivered again . this time with behling & simpson at the drivers seat , we take a ride through house land with stops at acid town and late night beat station . special mention to the sei a remix wich re-imagines the a-side as a classic , bassy house affair

since richie hawtin played this track in his boiler room set on ibiza, many people have been asking about this joyce muniz collab. the track features fresh vocals by bam (formerly known as mc baby bam) from the legendary 90ies hip-hop group the jungle bothers (native tongues/zulu nation). the beat is based around a sample from kraftwerk s it s more fun to compute, and for this version we ve actually got full approval from kraftwerk (yes - guess what). so we re happy to release it now. hope you dig it too

beau wanzer (l.i.e.s, nation, mutant beat dance) and dan jugel are juzer. strong 90 s techno heritage on this stone-cold killer e.p for anthony parasole s the corner.

for its eighth release apartment delivers its first long player, by mysterious producer, vernon (dixon avenue basement jams / night gallery). little is known of this artist – what we do know is that his formative years were spent in belgium, immersing himself in the emerging new beat and ebm sounds emanating from the countrys dance clubs. for his release on apartment he has created 6 tracks that reflect these early influences, whilst also taking in other techno, house and electro influences. pounding drums, rasping hi-hats, rave stabs, twisting acid lines and grinding synths all come together under the unique tutelage of this most skilled of producers, all the while watched by the experts…

das stimmt, es ist vielleicht sogar das erste mal fuer monkeytown. es zeigt wie sehr wir an alex banks und seine musikalische vision glauben. die tiefe emotionalitaet seiner energetischen musik hallt eben lange nach. die tracks auf illuminate sind so komplex geschichtet und dennoch so zugänglich, dass man bei jedem neuen hoeren etwas neues zu entdecken vermeint. alex ist virtuoser multiinstrumentalist und man hoert den ineinander verschachtelten beat strukturen an, dass sich hier jemand intensiv mit kompositionslehre auseinandergesetzt hat

graham luckhurst, aka greymatter is one of the core producers of wolf music alongside medlar and krl. with a love for deep cuts, booming sonics and an amalgamation of influences that incorporates everything from jazz and world, garage to hip hop, luckhurst has developed progressive production and dj-ing styles that are uniquely his own. with a list of collaborative remixes the length of your arm, his experience as a producer is not to be overlooked and describing his output as prolific would be an understatement. greymatters sound is fine-tuned for cutting edge sound-systems and modern clubbing ears.

nelistening back, ‘interlude’ will feel like the perfect opening to ‘skylax’. a jazzy encore crawls in, morphing into a skippy hip-hop instrumental with jason’s signature flourishes all over it. aptly named as it is, this is the breathing space between whatever came before in your day, and the eleven deep house gems that are to follow. speaking of, ‘the love’ will have you gripped from the first bar. it glides the listener in, then subtly drops that signature, tightly-tuned bassline of jason’s and continues onto soulful vocals from there. ‘old dayz’ touches on a bit of a nostalgic note. the spoken vox cuts harken back to 90s hip-hop joints, playing over a looped latin sample-led beat. from there, ‘rawkicks 2’ shows jason’s rough and ready sampling style in action. a seemingly simple track, but one which has that special something which guarantees to keep people on the floor moving for its duration. ‘cut b’ contrasts this nicely, being a much cleaner production with tight drum programming and synth work. that said, it still has the classic jg atmosphere we love. closing out the first half of the album, ‘definition’ slows the pace ever so slightly, with its eternal pad structure that builds up the track’s momentum into something very mellow and deep.bringing in the second half of ‘skylax’, ‘john blue’ takes things back a notch further. a deeper tune, yet one that shows off an uncharacteristically punchy bass hit from jason. ‘last night’ is a track more reminiscent of jason’s first lost cuts ep on wax classic, sounding as if it had been freshly taken off an old tape with its sample-led beat and background hiss. the last four tracks of the album see a return to the ‘mastercuts’ and ‘lovedits’ series which fans will recognize from the ‘lost cuts’ records, with ‘lovedits 7’ and ‘mastercut 5’ respectively. the former is a laid back female vocal edit with the entire suite of signature jg touches while the latter is a garage house hit more crafted for the club. ‘bb’ brings the album to a close, twisting a disco/funksample over a pallet of drums and effects for the near six-minute duration of the track.all in all, this is the perfect follow up to jason’s debut album ‘313.4.ever’, with tracks for both the club and home listening. if you happened to miss the first album back in 2012, don’t forget that now you have the chance to grab it in a special double pack with ‘skylax’ on cd!so, needless to say, this timeless record is a must purchase for all collectors and djs out there

surfacing from the back streets of greater mancunia, mystery artist belly arrives with the first record on their new belly dance label. with little more information to go on, let s focus on the music with the two original tracks from belly making for interesting listening. lead cut *dark autumn* is a slow beat sleaze production dominated by the vocals, big kicks and heavy synths that would go down well late into the night at horse meat disco. *farewell* is equally hard to pin down, taking on a more overtly hip hop style and is packed thick with textural and sampled detail. on the flip rob insinna turns in two new beat style remixes of *dark autumn* that will appeal to the more adventurous selectors.

pauls rather unique vocals lie somewhere between david bowie and richard butler of the psychedelic furs. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. each lp includes 2 postcards with live photos, a list of instruments used and quotes, that are suitable for mailing. this collection highlights a lost duo with a big sound on par with ultravox, human league, omd or devo.

the infamous planet rhythm imprint is celebrating its 20th anniversary in 2014. 20 naturally is a landmark-age and shows the label s ongoing persistence and hunger to catch the right beat. over the years many sounds within the techno genre have been showcased on this warm and respected home. coincidentally the label (now situated in rotterdam) just got onto a new a new flock of producers making their way into the crates of respected djs and like minded people wordwide.

welcoming trikk to truesoul, he brings the quality we have come to expect from both label and artist. his ep starts with deeper point, a track that encompasses heavy techno sounds to create a monster of a track. straight circles (beat mix) repeats and detunes a vocal to engrain it into the memory before prominent highs keep this track moving. the final track bliss drive is different to the rest of the ep and has more of a garage feel to it the funky drums, earth shattering bass line and digital bleeps will knock you sideways!

played by: bas mooy, chad osborn, dolgener, drumcomplex, elektor, empty_room, flex, forest people, gery otis, joseph capriati, krenzlin, mtd, niereich, octave, primal beat, rvde, ryuji takeuchi, slam, space djz, stevie wilson, submerge, the welderz, unam zetineb, uun...
morgan tomas is a dj/producer from france, who also runs the label reloading records along with a weekly podcast. in the past years, he has had several releases out on labels such as sleaze, nachtstrom schallplatten, prosthetic pressings and silent steps. he has been supported by great artists who often play his tracks. his music is a deep rooted techno, dark and energetic. with this album, he tried to reflect on several types of techno, using different environments, with a wide range of musical styles.

i did the this beat is talking to you (club mix) at my parents house in my old kinderzimmer. i forgot to take my blood pressure pills back then so maybe thats the reason it sounds like that.

wolfram says: i started to record the track cant remember when i was in africa and some riots happened in egypt in 2013. it was a weird time so it turned out to be a dark tune with robotic vocals. i recorded the vocals for the track talking to you when i was on tour with andy butler in the hotel room on my macbook air. basically its him saying this beat is talking to you and i recorded some burp sounds on the flight and train home. i invited him to my home studio to change the demo vocals, but he felt asleep on the chair next to me. so, i thought maybe i should just the use the demo macbook vocals.

relating back to the etui records roots of monomood, abstract animal presents the remixes of absolute control that originally appeared on etuiltd 003. who can be more suitable for transforming the heavy chord sounds of the original into a forward pushing floor behemoth than 50 weapons multi talented sound artist benjamin damage? in addition to that monomood took a re-edit of his own track and put a even more dark and industrial feel on it. to close the circle etui records mastermind and dresdens very own insect o. converts the originals four to floor rhythm to a broken beat machine funk monster.

from the two individually revered artists seuil and le loup, comes the debut lp under their collaborative dj/producing alias hold youth. a collection of dance-orientated tracks, designed to make the body move, de la club explores the origins of hold youth’s fundamental influences to their modern day stance.a lp in two parts, the first vinyl is almost a retrospective of primarily state-side club sounds, but also of the pair’s early musical staples. paying homage to old skool production, the inspiration drawn from the detroit greats like moodymann and andres is clear on the funked-out, jazzy vibes of street my baby or the smooth flowing les enfants du soleil. hold youths love affair with head-bobbing hip hop also makes an appearance on the intro and outro, sampling the one and only j dilla, perfectly combined with their own personal beat-boxing. not forgetting their french 90s roots, kool & the boug oozes that warmth defined so well by pepe bradock and trankilou… a club track which has the power of subtlety to submerge the dancefloor that one level deeper. part two looks to the example of german minimal and micro house and brings us up to date with the sounds fresh from hold youth’s record bag today. be it the weird and murky territory of dodge this, or the eerie, glitchy world of black dog, their modern vision of de la club is darker and sturdier in its stature. but it is the ability to weave seamlessly between the lps two halves, two ideals, which truly characterises the hold youth ethos and their signature djing style.

the main idea for the luxxury edit series was to take overplayed and/or uncool songs and turn them into tracks that i myself would want to dj. initially the plan was to do this exclusively using the sounds from the original multi tracks, rather than the typical throw a new beat and some swooshes on it kind of re-edit.

killekill is proud to present eomac’s “spectre”, the debut album from dublin-based producer ian mcdon- nell, a rising star in the techno scene. spectre also marks the label’s first full-length album release. ian is better-known as half of the irish duo lakker and this album is certainly carved from the same cold slab of stone. his music has already gained huge support from the likes of tommy four seven, ellen allien, thom yorke and the one and only aphex twin himself. bleepy, slo-mo synth lines, dense textures, saturated bassdrums and hand-sliced vocals dunked in cavern- ous reverb – spectre is all about eomac doing what he does best, taking our concepts of club sound and contorting them into something that is truly his own. the melodies are slo-mo and lo-fi, the pads, exquisitely lush and textured. ian’s amazing sound-design (bordering on the intense in some places) and incredible attention to detail makes this an album where each listen reveals a deeper layer. spatters of noise, shards of broken beat and relentlessly pounding techno rhythms also make it a dancefloor-decimating weapon.

rising label releases its second ep with an original track by victor martinez, another artist from the agency, that gives life to this record and gets completed by remixes from oscar mulero, ness and adriana lopez. the original track by victor, -anything called dead consumerism”, is all about visceral and obscure techno with broken rhythms and high levels of hypnotism. following, we can find oscar mulero’s remix, a version that suggests another groove but maintains the essence of the original making it a serious and effective weapon. on the b side we can find ness’ remix, a track that captures you since the beginning. deep, elastic and elegant at the same time where hypnotism reigns and this few characteristics of the italian producer. adriana lopez closes the ep with a more percussive and energetic version. fine techno that catches you from the first beat, a perfect track as a dj.

chesslo junior comes to kelpes drut recordings for his first ever vinyl release – a 6 track ep of house tempo jams and avant garde beat sculptures: long hum. with previous releases on wotnot as well as numerous self released hip hop bootlegs, chesslo becomes the first artist other than kelpe to release on his fledgeling label

weve complied two blackman and maurice joshua productions for the fourth house of trax 12inch. its a bit of a dirty one... to say the least. althought more polictically incorrect then a dutch politician, these humourous trax will set fire to the speakers for the right reasons too. the little known blackman had a 1993 release with >beat that bitch with a bat<, a song which later got popularized by johnny dangerous. the original 12inch got pressed up in small quantities and is available for the first time in 17 years. on the flip theres both the vocal and instrumental version of maurice joshuas (with hot hula hands) >i got a big dick<, which originally came out in 1988, as the a-side of his more known >this is acid<. both tracks are pretty rare these days and will still go down a storm on the dancefloor.

unxpozd presents the 7th project from dj aakmael, the rise ep. the lead tune -rise- is a blissful, relaxed string based track with playful keys thats perfect for any chill lounge or dance floor. jazz piece is a sampled piece of art, where aak cuts and chops a vintage groove for the 2014 crowd. many have already hailed it as something that has that old nj deep house feel! on the flip side, aak gives two more untitled gems. untitled 105 is a dope club thumper that takes you back to that headknod feeling, perfect for any dance floor who liked to groove! last is untitled 101, thumping beat with dramatic horns and strings to conclude a well-packaged project!

the windtalkers ep comes to vitalik courtesy of the acclaimed collaboration of jef k and chris carrier. individually these two stalwarts of the french house scene are known as master-craftsmen of rhythm, renowned for their tight grooves and deft beat construction. together they compliment each others sensibilities beautifully, as seen on tracks like? in my system? which they collaborated with chicago legend chez damier to form the gathering and now again on the forthcoming windtalkers ep.

• fourth installment from the artist and label.
• other titles have sold out fast - don t be left out...
• special hand stamped white label release a fast paced aggressive a1 made of fast 1/8 note kick drums spliced with distorted pad sounds and distinctive snare. the a2 is a broken beat affair with evolving percussion and a rave line that will cut through in any mix. b1 is papers signature acid jam, simple but effective. b2 is a unique beast, with locked rhythms and distinctive arp synth line...

with credits between them ranging from hypercolour, future boogie, fear of flying, southern fried, save you and wolf, dj/producers james welsh and ste roberts team up under their r&w pseudonym for this, the 7th release on initials with its clear mandate from the word go back in 2012 to release only the most underground house and techno, initials (helmed by ste himself, hypercolours alex jones and 1trax label boss dave elkabas) delivers the goods yet again with the socks & scandals ep. at just 2 tracks, there is no need to say more, with opener meat an understated mechanical exploration into the art of evolving and hypnotic beat-crafting, while bucket sheep employs rhythmic detail in a broader soundscape to great effect, offsetting the incessant marching bass expertly.

usb stick - kein vinyl !! (usb stick - no vinyl)
2014 is the year of degree records first anniversary celebration. after three highly successful eps, which all hit the top 10, the label owners veitengruber and 212fahrenheit give their love back to the audience with the most sustainable and utterly stylish gimmick - a wooden 8 gb space to race usb flash drive with 16 exclusive tracks by the best national and international deep house and techhouse artists. it will be delivered in a precious box together with a necklace.

paul kalkbrenner veröffentlichte 2012 mit das gezabel eine erste sehr erfolgreiche single aus dem album guten tag. fuer das im sommer 2014 anstehende remix album haben sich nun die wahlberliner pan-pot, die paul kalkbrenner im jahre 2013 auf tournee begleitet haben, daran gemacht das gute stueck im remixgewandt zu veredeln. das ergebnis ist klassischer pan-pot style wie man ihn liebt, das heißt eleganter high-end produzierter, direkter techno ohne schnoerkel und beschoenigungen. die einpraegsame melodiefuehrung des originals wird geschickt zitiert und scheint aus dem heftigen bass- und beat-konstrukt des remixes immer wieder hervor.

since his debut in 2009, loops haunt has continued to confound and excite with an output as mercurial as it is rare. toying with jungle and hip hop on zenith and outright sound design on ark, the wilderness-bound beat alchemist uses his isolation to explore and even create his otherworldly sound palate. lurking behind immaculate drums are the windswept sounds of the desolate north and mechanized textures plucked from his father s own workshop. here we embark on loops most complete work to date. exits is designed to be listened to as one continuous track, opening with ambient mood and emotion, layering outboard synths and found-sounds on the title track and trap door. an unexpected calm beginning is shattered in the second act with the pounding rhythms and industrial heart beats of howl and iiva. exits is an insight into a uniquely unpredictable talent and rare chance to be immersed in his sound.

running back proudly presents: redshape’s bonuz beatz vol. 1. revisited, reduced and refined beat down versions of some of the masked mans greatest hitz. breakbeats, toms and open hi hats a plenty with more bounce to the ounce. not only for dj use

ultra ltd edition clear vinyl
official re-edition of mike dunn classic released on rhythm beat 1991 by phil weeks & didier allyne. timeless

40 minutes of jamaican dub disco after growing up on a healthy diet of industrial- and synth music.

3th keep on releasing techno with an eclectic vision, although - for this output - each track has its different shades and rhythmic approaches. divided into four acts, it sounds like the journey continues after the previous appearance of lucindo on the label with *the twenty-ninth act*.
act 83 and 86 are both powerful tools that are lead by acidic repetitive patterns and distortions.
act 100 contains a raw and strong beat that travels through cosmic and epic soundscapes.
as conclusion, act 63 is characterized by emotional melancholic melodies and brain-dance music, accompanied by succession of rousing rhythmic evolutions.